In the style of a diary, he brings together the films of his life, from the oldest to the most recent. Composed of a succession of monumental videos, the exhibition offers an autobiographical and poetic reinterpretation of his work, creating a dialogue between his films, from the oldest to the most recent. The spectator is invited to go through the device and to immerse himself in this visual and sound environment to invent his own story. Ange Leccia gives us his background and talks about his approach alongside Alexia Fabre, chief curator of MAC / VAL, Nicole Brenez, theoretician of cinema, and Fabien Danesi, art critic, who comment on his work and situate it in the history of art and cinema.