{"id":128672,"date":"2021-08-25T14:34:20","date_gmt":"2021-08-25T14:34:20","guid":{"rendered":"https:\/\/dev.museumtv.art\/?post_type=program&#038;p=128672"},"modified":"2026-07-09T08:50:46","modified_gmt":"2026-07-09T08:50:46","slug":"22133-christian-lapie-s00-e00","status":"inactive","type":"program","link":"https:\/\/www.museumtv.art\/en\/program\/22133-christian-lapie-s00-e00\/","title":{"rendered":"Christian Lapie"},"content":{"rendered":"<p>Born in 1955 in Reims, Champagne, France. Studied at the \u00c9cole des Beax Arts in Reims (1972\u20131977) and the \u00c9cole Nationale Sup\u00e9rieure des Beaux Arts in Paris (1977\u20131979).<\/p>\n<p>Initially a painter, he worked with chalk, oxides, ash on rough canvas tarpaulins mounted on rudimentary stretchers, transforming their window motif into a cross. This form then developed into a bas-relief and Lapie\u2019s materials evolved: sheet metal, cement and charred wood for In Case of War (1992, Frac Champagne-Ardenne); cement, paint and concrete reinforcing bars for War Game, a public commission that was censored in 1995.<\/p>\n<p>From the patent brutality of this experience \u2013 and following a creative visit to the Amazon Forest \u2013 Lapie moved on directly to producing monumental sculptures, shaping figures in rough-hewn, fire-blackened timber. Some were created in the Champagne, a region that witnessed bloody fighting during World War I, and were erected in various locations around the world:<\/p>\n<p>    Fort 61 in the Sculpture Park at Echigo Tsumari, Japan;<br \/>\n    the Salomon Foundation, Alex, France;<br \/>\n    the Mus\u00e9e des Beaux Arts de Reims, France;<br \/>\n    The Crow\u2019s Nest, Southern Alberta, Canada;<br \/>\n    the stone figures of In Path of the Sun and the Moon at Jaipur, India;<br \/>\n    Le pupitre des \u00c9toiles in cast-iron in the Parc de Sceaux near Paris;<br \/>\n    and a quantity of works in private collections in Europe and the United States.<\/p>\n<p>Christian Lapie\u2019s oeuvre probes individual and collective memory. Specific history-charged sites inspire his installations of spectral figures. Wherever they stand, whatever the continent, the powerful and monumental figures without arms or facial features question and unsettle. As the critic Philippe Piguet underlines, \u201cThe duty to remember to which they allude is a civic, quite simply human, duty.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artist&#8217;s Workshop<\/p>\n","protected":false},"featured_media":128673,"parent":0,"menu_order":0,"template":"","format":"standard","meta":[],"program_type":[15],"group":[2488,546],"d_category":[667],"genre":[2491],"class_list":["post-128672","program","type-program","status-inactive","format-standard","has-post-thumbnail","hentry","program_type-episode","group-beaux-arts","group-portraits","d_category-beaux-arts","genre-documentary"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Christian Lapie - Museum TV<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.museumtv.art\/en\/program\/22133-christian-lapie-s00-e00\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Christian Lapie - 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