{"id":226228,"date":"2025-06-23T10:06:15","date_gmt":"2025-06-23T10:06:15","guid":{"rendered":"https:\/\/www.museumtv.art\/artnews\/articles\/"},"modified":"2025-06-25T11:04:14","modified_gmt":"2025-06-25T11:04:14","slug":"tribute-pierre-charles-lenfant-200th","status":"publish","type":"post","link":"https:\/\/www.museumtv.art\/en\/artnews\/artistes\/tribute-pierre-charles-lenfant-200th\/","title":{"rendered":"Tribute to Pierre Charles L\u2019Enfant &#8211; 200th Anniversary of his Death"},"content":{"rendered":"\n<p>Pierre Charles L\u2019Enfant was the second son of Pierre Lenfant (1704-1787) and Marie Charlotte Leullier (1729-1755). His father was an official painter to the Court of France. He notably produced war scenes now preserved at the Palace of Versailles. Pierre Lenfant is heir to an artistic tradition linked to the Gobelins Manufactory. <\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"414\" height=\"456\" src=\"https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/Pierre-Lenfant.png\" alt=\"Painting depicting the Battle of Lawfeld on July 2, 1747\" class=\"wp-image-226220\" srcset=\"https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/Pierre-Lenfant.png 414w, https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/Pierre-Lenfant-272x300.png 272w\" sizes=\"auto, (max-width: 414px) 100vw, 414px\" \/><figcaption class=\"wp-element-caption\">Pierre Lenfant, The Battle of Lawfeld, July 2, 1747, before 1771, oil on canvas, 275 x 248.5 cm, Versailles, <a href=\"https:\/\/pop.culture.gouv.fr\/notice\/joconde\/000PE004371\">National Museum of the Palaces of Versailles and Trianon<\/a><\/figcaption><\/figure><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"TextRun SCXW251476519 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW251476519 BCX0\">Transatlantic<\/span><\/span><span class=\"EOP SCXW251476519 BCX0\" data-ccp-props=\"{&quot;335551550&quot;:1,&quot;335551620&quot;:1}\"> <\/span><\/h2>\n\n<p><span class=\"TextRun SCXW34059388 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW34059388 BCX0\">It was precisely with his father that he studied art at the <a href=\"https:\/\/www.universalis.fr\/encyclopedie\/pierre-charles-l-enfant\/\">Royal Academy of Painting and Sculpture<\/a> between 1771 and 1776. Similarly, the young Pierre Charles <\/span><span class=\"NormalTextRun SCXW34059388 BCX0\">witnessed<\/span><span class=\"NormalTextRun SCXW34059388 BCX0\"> the work at Versailles by Jacques-Ange Gabriel. At that time, the French school of architecture dominated the European scene. In 1755, Abb\u00e9 Marc-Antoine <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW34059388 BCX0\">Laugier<\/span><span class=\"NormalTextRun SCXW34059388 BCX0\"> defined the neoclassical canons, following in the footsteps of masters such as Le Vau and Mansart, in his work Essay on Architecture. A book that Pierre Charles L&#8217;Enfant and the American politician Thomas Jefferson <\/span><span class=\"NormalTextRun SCXW34059388 BCX0\">likely consulted<\/span><span class=\"NormalTextRun SCXW34059388 BCX0\">.<\/span><\/span><span class=\"EOP SCXW34059388 BCX0\" data-ccp-props=\"{&quot;335551550&quot;:1,&quot;335551620&quot;:1}\"> <\/span><\/p>\n\n<p>At the age of 22, Pierre Charles volunteered to join the European Continental Army. In 1776, he boarded the Amphitrite and reached North America, followed by La Fayette in 1777. The American <a href=\"https:\/\/www.larousse.fr\/encyclopedie\/divers\/guerre_de_l_Ind%C3%A9pendance_am%C3%A9ricaine\/124905#:~:text=Conflit%20arm%C3%A9%20qui%20opposa%20les,formation%20d&#039;%C3%89tats%20unis%20ind%C3%A9pendants\">War of Independence<\/a> took place from 1775 to 1782 and pitted the thirteen English colonies of North America against England. During the Siege of Savannah in 1779, P.C. L&#8217;Enfant was seriously injured but continued to serve as a military engineer. This war ended with the Treaty of Paris. On September 3, 1783, Great Britain recognized the independence of the United States.<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"420\" height=\"281\" src=\"https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/Navire.png\" alt=\"Sketch of a black and white ship dating from the American Revolutionary War\" class=\"wp-image-226219\" srcset=\"https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/Navire.png 420w, https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/Navire-300x201.png 300w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><figcaption class=\"wp-element-caption\">Sketch of a ship dating from the American Revolutionary War <\/figcaption><\/figure><\/div>\n<p>In honor of the Franco-American brotherhood in arms, <a href=\"https:\/\/www.cincinnatidefrance.fr\/\">the Cincinnati Society<\/a> was created that same year with George Washington as president. The Society was divided into fourteen branches, one for each of the founding states and one for the Kingdom of France, which joined the Society in 1784. Pierre Charles L&#8217;Enfant was then tasked with conveying the message to France and producing a commemorative medal. The medal featured an American eagle and the colors blue for America and white for France.<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"308\" height=\"499\" src=\"https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/societe-cincinnati.png\" alt=\"Commemorative medal of the Society of Cincinnati representing a bird with a white body and golden colored wings\" class=\"wp-image-226225\" srcset=\"https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/societe-cincinnati.png 308w, https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/societe-cincinnati-185x300.png 185w\" sizes=\"auto, (max-width: 308px) 100vw, 308px\" \/><figcaption class=\"wp-element-caption\">Commemorative Medal of the Society of the Cincinnati <\/figcaption><\/figure><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"TextRun SCXW121012954 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW121012954 BCX0\">A Frenchman as an Architect<\/span><\/span><span class=\"EOP SCXW121012954 BCX0\" data-ccp-props=\"{&quot;335551550&quot;:1,&quot;335551620&quot;:1}\"> <\/span><\/h2>\n\n<p>These efforts for the Americas were recognized by Congress, which appointed L&#8217;Enfant Major of Engineers in 1783. After returning to Paris at the end of the war, he moved to New York in 1784. The Frenchman completed several small projects, such as the renovation of the former City Hall into Federal Hall, intended for the United States Congress (1788-1789). He earned praise from General President Washington for this work. <\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"381\" height=\"312\" src=\"https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/federal-hall.png\" alt=\"Drawing depicting the Federal Hall in 1789\" class=\"wp-image-226218\" srcset=\"https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/federal-hall.png 381w, https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/federal-hall-300x246.png 300w\" sizes=\"auto, (max-width: 381px) 100vw, 381px\" \/><figcaption class=\"wp-element-caption\">Federal Hall in 1789, which would later be modified. <\/figcaption><\/figure><\/div>\n<p><span class=\"TextRun SCXW169955484 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW169955484 BCX0\">The most important project L&#8217;Enfant <\/span><span class=\"NormalTextRun SCXW169955484 BCX0\">was responsible for<\/span><span class=\"NormalTextRun SCXW169955484 BCX0\">, <\/span><span class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW169955484 BCX0\">and also<\/span><span class=\"NormalTextRun SCXW169955484 BCX0\"> the one that led to his downfall. After the war, the Founding Fathers, including George Washington (1732-1799), Thomas Jefferson (1743-1826), and Benjamin Franklin (1706-1790), <\/span><span class=\"NormalTextRun SCXW169955484 BCX0\">deemed<\/span><span class=\"NormalTextRun SCXW169955484 BCX0\"> it preferable for the federal capital to be equidistant from north and south. Thus, on July 16, 1790, the <a href=\"https:\/\/guides.loc.gov\/residence-act\">Residence Act<\/a> defined the territory that would house the <\/span><span class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW169955484 BCX0\">future<\/span><span class=\"NormalTextRun SCXW169955484 BCX0\"> Washington, D.C., along the Potomac River, covering an area of ten square miles (<\/span><span class=\"NormalTextRun SCXW169955484 BCX0\">nearly 25.9<\/span><span class=\"NormalTextRun SCXW169955484 BCX0\"> square kilometers). <\/span><\/span><span class=\"EOP SCXW169955484 BCX0\" data-ccp-props=\"{&quot;335551550&quot;:1,&quot;335551620&quot;:1}\"> <\/span><\/p>\n\n<p>The architect then began preparatory work in 1791 with surveyors such as Joseph Ellicott, the Andrew brothers, and <a href=\"https:\/\/www.whitehousehistory.org\/benjamin-banneker\">Benjamin Banneker<\/a>. Although Thomas Jefferson proposed a list of cities to the architect to draw inspiration from, he took some liberties by creating a checkerboard crisscrossed by diagonals and decorated with circular points, modeled on the gardens of Versailles.<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"449\" height=\"325\" src=\"https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/plan-versailles-.png\" alt=\"Map of Versailles in black and white\" class=\"wp-image-226221\" srcset=\"https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/plan-versailles-.png 449w, https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/plan-versailles--300x217.png 300w\" sizes=\"auto, (max-width: 449px) 100vw, 449px\" \/><figcaption class=\"wp-element-caption\">Map of Versailles<\/figcaption><\/figure><\/div>\n<p>Unfortunately, Pierre Charles L\u2019Enfant&#8217;s uncompromising nature, coupled with his demands, which were deemed excessive, led to his resignation in February 1792. The land allocated was not entirely untouched. Some notable residences, including Daniel Carroll&#8217;s, were not considered by L\u2019Enfant, who wanted to demolish them. Moreover, his salary request of $95,500 was exorbitant. Congress paid him $3,800. By comparison, surveyors were generally paid between two and five dollars per day. L\u2019Enfant left with the plans, leaving no trace of his project.  <\/p>\n\n<p>The neoclassical plan was copied by the architect&#8217;s collaborators from memory. The Capitol and the President&#8217;s House, or White House, were built according to the Frenchman&#8217;s design. <\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"939\" height=\"616\" src=\"https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/plan-washington-D.C.png\" alt=\"Updated color map of Washington D.C.\" class=\"wp-image-226222\" srcset=\"https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/plan-washington-D.C.png 939w, https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/plan-washington-D.C-300x197.png 300w, https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/plan-washington-D.C-768x504.png 768w\" sizes=\"auto, (max-width: 939px) 100vw, 939px\" \/><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/www.routard.com\/fr\/guide\/a\/carte\/ameriques\/etats-unis\/washington-dc\">The map<\/a> of Present-Day Washington, D.C.<\/figcaption><\/figure><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"TextRun SCXW236771660 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW236771660 BCX0\">Eclipse and Return to Memory<\/span><\/span><span class=\"EOP SCXW236771660 BCX0\" data-ccp-props=\"{&quot;335551550&quot;:1,&quot;335551620&quot;:1}\"> <\/span><\/h2>\n\n<p>Pierre Charles L\u2019Enfant finally took refuge with friends in Maryland until his death on June 14, 1825, without any recognition or a penny. It was only a few decades later, in 1909, that his body was moved to Arlington National Cemetery. Congress erected a monument in his name for <a href=\"https:\/\/www.ouest-france.fr\/leditiondusoir\/2024-10-24\/le-destin-contrarie-du-francais-qui-dessina-les-plans-de-washington-avant-de-mourir-dans-la-misere-ccd4421c-d528-445a-804a-ce3dd519ee4e\">his burial.<\/a><\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"627\" height=\"424\" src=\"https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/sepulture.png\" alt=\"Photograph representing the monument of the Sepulture of Pierre Charles the Child.\" class=\"wp-image-226224\" srcset=\"https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/sepulture.png 627w, https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/sepulture-300x203.png 300w\" sizes=\"auto, (max-width: 627px) 100vw, 627px\" \/><figcaption class=\"wp-element-caption\">Pierre Charles L\u2019Enfant Grave Monument <\/figcaption><\/figure><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"TextRun SCXW107646183 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW107646183 BCX0\">Notorious Portrait<\/span><\/span><span class=\"EOP SCXW107646183 BCX0\" data-ccp-props=\"{&quot;335551550&quot;:1,&quot;335551620&quot;:1}\"> <\/span><\/h2>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/portrait.png\" alt=\"\" class=\"wp-image-226223\"\/><figcaption class=\"wp-element-caption\">Allyn Cox, Pierre Charles L\u2019Enfant, 1974, oil on canvas, United States, <a href=\"https:\/\/www.aoc.gov\/explore-capitol-campus\/art\/pierre-charles-lenfant-portrait\">Capitol<\/a><\/figcaption><\/figure><\/div>\n<p>The famous architect is depicted in profile with his torso cut off, as if it were a sculpted bust. The color scheme is pale and muted. The blue background highlights the ochre of the man&#8217;s clothing. <\/p>\n\n<p><span class=\"TextRun SCXW199544164 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW199544164 BCX0\">To discover more about other cultural themes, visit <\/span><span class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW199544164 BCX0\">our<\/span> <\/span><a class=\"Hyperlink SCXW199544164 BCX0\" href=\"https:\/\/www.museumtv.art\/en\/\" target=\"_blank\" rel=\"noreferrer noopener\"><span class=\"TextRun Highlight Underlined SCXW199544164 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW199544164 BCX0\" data-ccp-charstyle=\"Hyperlink\">video-on-demand platform<\/span><\/span><\/a><span class=\"TextRun SCXW199544164 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW199544164 BCX0\">.<\/span><\/span><span class=\"EOP SCXW199544164 BCX0\" data-ccp-props=\"{&quot;335551550&quot;:1,&quot;335551620&quot;:1}\"> <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pierre Charles L\u2019Enfant was the second son of Pierre Lenfant (1704-1787) and Marie Charlotte Leullier (1729-1755). His father was an official painter to the Court of France. He notably produced war scenes now preserved at the Palace of Versailles. Pierre Lenfant is heir to an artistic tradition linked to the Gobelins Manufactory. Transatlantic It was [&hellip;]<\/p>\n","protected":false},"author":104,"featured_media":226223,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,1938],"tags":[2534,2351,2424],"group":[547],"support":[2560],"class_list":["post-226228","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classifiee","category-uncategorized","tag-architecture-en","tag-art-en","tag-museum-tv-en","group-portraits","support-architecte"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Tribute to Pierre Charles L\u2019Enfant - 200th Anniversary of his Death - Museum TV<\/title>\n<meta name=\"description\" content=\"Tribute to Pierre Charles L&#039;Enfant, architect of the plan for Washington D.C., 200 years after his death on June 14, 1825.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.museumtv.art\/en\/artnews\/artistes\/tribute-pierre-charles-lenfant-200th\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tribute to Pierre Charles L\u2019Enfant - 200th Anniversary of his Death - Museum TV\" \/>\n<meta property=\"og:description\" content=\"Tribute to Pierre Charles L&#039;Enfant, architect of the plan for Washington D.C., 200 years after his death on June 14, 1825.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.museumtv.art\/en\/artnews\/artistes\/tribute-pierre-charles-lenfant-200th\/\" \/>\n<meta property=\"og:site_name\" content=\"Museum TV\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/museumtv.art\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-06-23T10:06:15+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-25T11:04:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.museumtv.art\/wp-content\/uploads\/2025\/06\/portrait-e1750849449469.png\" \/>\n\t<meta property=\"og:image:width\" content=\"474\" \/>\n\t<meta property=\"og:image:height\" content=\"267\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Berthille Lorillou\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Berthille Lorillou\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.museumtv.art\/en\/artnews\/artistes\/tribute-pierre-charles-lenfant-200th\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.museumtv.art\/en\/artnews\/artistes\/tribute-pierre-charles-lenfant-200th\/\"},\"author\":{\"name\":\"Berthille Lorillou\",\"@id\":\"https:\/\/www.museumtv.art\/#\/schema\/person\/bf6a7cf576a0534e1daa82d7ae4741a5\"},\"headline\":\"Tribute to Pierre Charles L\u2019Enfant &#8211; 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