{"id":226173,"date":"2025-06-20T14:48:46","date_gmt":"2025-06-20T14:48:46","guid":{"rendered":"https:\/\/www.museumtv.art\/artnews\/articles\/"},"modified":"2025-06-20T14:48:46","modified_gmt":"2025-06-20T14:48:46","slug":"tribute-to-andre-derain-145th-birthday-on-june-10","status":"publish","type":"post","link":"https:\/\/www.museumtv.art\/en\/artnews\/artistes\/tribute-to-andre-derain-145th-birthday-on-june-10\/","title":{"rendered":"Tribute to Andr\u00e9 Derain – 145th Birthday on June 10"},"content":{"rendered":"
\n
\"Photo
Andr\u00e9 Derain and Maurice de Vlaminck<\/a><\/figcaption><\/figure><\/div>\n\n\n

Andr\u00e9 Derain was born on June 10, 1880, in Chatou, a town from which many artists draw their inspiration. <\/p>\n\n\n\n

Andr\u00e9 Derain both influences and is influenced by painting. He embodies the artist’s ambivalence between innovation and inspiration. Throughout his career, Derain experimented with styles, mediums, and influences. He enjoyed great success in France and internationally and is considered one of the most significant artists of the interwar period. Drafted to participate in the First World War, his production came to a halt. However, thanks to Guillaume Apollinaire<\/a> and his future wife, Alice G\u00e9ry, Derain’s first solo exhibition was held at the Paul Guillaume Gallery in 1916. This event greatly contributed to his recognition in Parisian circles.<\/p>\n\n\n\n

Decisive Encounters<\/span><\/span> <\/span><\/h2>\n\n\n\n

A child of a wealthy background, young Andr\u00e9 began painting in high school. He decided to pursue art and enrolled at the Acad\u00e9mie Camillo<\/a> in 1898. There, he studied classical painting under Eug\u00e8ne Carri\u00e8re, a symbolist painter.<\/p>\n\n\n

\n
\"Eug\u00e8ne
Eug\u00e8ne Carri\u00e8re, Jean Dolent, 1898, lithograph, Washington DC, National Gallery of Art<\/a><\/figcaption><\/figure><\/div>\n\n\n

This school was a hotbed of talent. Derain met Henri Matisse (1869-1954), Georges Rouault (1871-1958), Jean Puy (1876-1960), and Albert Marquet (1875-1947). Following this, Vlaminck and Derain met on a train, and Derain did his military service between 1901 and 1904. The two artists’ fifteen-year association would be decisive in their artistic production, but also for the history of painting. They shared a studio in Chatou. <\/p>\n\n\n\n

Derain and Fauvism<\/span><\/span> <\/span><\/h2>\n\n\n\n

In 1904, Derain enrolled at the Acad\u00e9mie Julian. Henri Matisse encouraged Derain and Vlaminck to <\/span>participate<\/span> in the Salon des <\/a><\/span>Ind\u00e9pendants<\/span> in early spring, where he <\/span>exhibited<\/span> his famous <\/span><\/span>Luxe, <\/span>calme<\/span> et <\/span>volupt\u00e9<\/span> (Luxury, Calm and Voluptuousness)<\/span><\/span>. Andr\u00e9 Derain joined Matisse in Collioure. Together, they developed the properties of what Louis Vauxcelles would later call Fauvist <\/a><\/span>painting<\/span>. Vlaminck and the two painters <\/span>exhibited<\/span> with a group of artists in Room VII of the 1905 Salon d’Automne.<\/span><\/span> <\/span><\/p>\n\n\n

\n
\"Andr\u00e9
Andr\u00e9 Derain, The Drying of the Veils<\/a>, 1905, oil on canvas, 82 x 101 cm, Moscow, Pushkin Museum<\/figcaption><\/figure><\/div>\n\n\n

The Drying of the Veils <\/span><\/span>is one of the works <\/span>exhibited<\/span> by the artist in “La Cage aux Fauves” (The Fauves’ Cage).<\/span><\/span> <\/span><\/p>\n\n\n\n

The characteristics of Fauvism include bright, salty colors, flat tints, and a simplification of lines. <\/p>\n\n\n\n

First Transition (1907-1914)<\/span> <\/span><\/span> <\/span><\/h2>\n\n\n\n

Andr\u00e9 Derain decided to leave Chatou for Paris. In 1905, Ambroise Vollard, the renowned art dealer, had purchased all the works in his studio, allowing the painter to earn a full living from his art. He settled in Montmartre, surrounded by the Fauves and Cubists. There, he met Alice G\u00e9ry, with whom he married in 1926. In 1906 and 1907, he spent several months in London, where he became interested in the primitive art previously discovered by Derain and Vlaminck, such as at the Trocad\u00e9ro Museum. The impact on his style was found in the geometricization of forms and less striking colors. <\/p>\n\n\n

\n
\"Andr\u00e9
Andr\u00e9 Derain, Houses by the Water, 1910, oil on canvas, St. Petersburg, Hermitage Museum<\/a><\/figcaption><\/figure><\/div>\n\n
\n
\"Anonymous
Anonymous (Africa, Gabon), Fang Mask<\/a>, painted exotic wood, 42 x 28.5 x 14.7 cm, Paris, Centre Pompidou<\/figcaption><\/figure><\/div>\n\n\n

This mask belonged to Maurice de Vlaminck and later to Andr\u00e9 Derain himself <\/p>\n\n\n\n

The artist spent some time in the south of France and Catalonia. He participated, along with Picasso and Braque, in the development of the Cubist style. <\/p>\n\n\n

\n
\"Georges
Georges Braque, The Rio Tinto Factories at L’Estaque, oil on canvas, 1910, Paris, Centre Pompidou <\/figcaption><\/figure><\/div>\n\n
\n
\"Pablo
Pablo Picasso, The Guitar Player, oil on canvas, 1910, Paris, Centre Pompidou <\/figcaption><\/figure><\/div>\n\n\n

Andr\u00e9 Derain exhibited at the famous Armory Show in New York in 1913, accompanied by Marcel Duchamp (1887-1968), Pablo Picasso (1881-1973), and Raoul Dufy (1877-1953), among others. <\/p>\n\n\n\n

The First World War and the Interwar Period<\/span><\/span> <\/span><\/h2>\n\n\n\n

This traumatic event prompted Derain to return to his roots. He returned to a more realistic style and classical models. His work focused on still life themes such as flower bouquets and landscapes, as well as figures through portraits and nudes. <\/p>\n\n\n

\n
\"Andr\u00e9
Andr\u00e9 Derain, Roses on a Black Background, 1932, oil on canvas, 73 x 81 cm, Paris, Mus\u00e9e de l’Orangerie<\/a><\/figcaption><\/figure><\/div>\n\n
\n
\"Andr\u00e9
Andr\u00e9 Derain, Nude with a Jug, 1925, oil on canvas, 170 x 150.5 cm, Paris, mus\u00e9e de l’Orangerie<\/a><\/figcaption><\/figure><\/div>\n\n\n

Furthermore, Andr\u00e9 Derain did not devote himself solely to painting. He also produced illustrations and set designs for plays. As early as 1919, he created mechanical puppets for Sergei Diaghilev (1872-1929), founder of the Ballets Russes. He then designed sets and costumes for other ballets, operas, and plays, particularly in the 1920s. <\/p>\n\n\n\n

In the 1930s, he devoted himself primarily to illustration. He worked largely for the publications of his friend Guillaume Apollinaire. He also created ornaments for reissues of collections by Rabelais, Petronius, and Oscar Wilde. <\/p>\n\n\n

\n
\"Illustrations
Illustrations<\/a> for Pantagruel, (a novel by Fran\u00e7ois Rabelais), 1943<\/figcaption><\/figure><\/div>\n\n\n

World War II and End of Life<\/span><\/span> <\/span><\/h2>\n\n\n\n

When the German occupation began, Derain took refuge with Braque. The artist participated only in foreign exhibitions. He did not wish to be involved in any Vichy government affairs. However, in 1941, he participated in a trip to Germany invited by Arno Breker<\/a> (1900-1991), the official sculptor of the Nazi regime. Although Derain attended this event as Ambassador of French Culture in exchange for the release of deportees and prisoners of war, this episode, organized by Joseph Goebbels, was in reality nothing more than Nazi cultural propaganda that failed to honor its commitments. Andr\u00e9 Derain was tried for collaboration and ultimately exonerated. However, this had an impact on the end of the artist’s career.<\/p>\n\n\n\n

He died on September 8, 1954, from injuries sustained in July 1954 when he was hit by a car. The famous artist is buried in the Chambourcy Cemetery. <\/p>\n\n\n\n

To learn more about Andr\u00e9 Derain and his contemporaries, visit <\/span>our<\/span> <\/span>video-on-demand platform<\/span><\/span><\/a>.<\/span><\/span> <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Andr\u00e9 Derain was born on June 10, 1880, in Chatou, a town from which many artists draw their inspiration. Andr\u00e9 Derain both influences and is influenced by painting. He embodies the artist’s ambivalence between innovation and inspiration. Throughout his career, Derain experimented with styles, mediums, and influences. He enjoyed great success in France and internationally […]<\/p>\n","protected":false},"author":104,"featured_media":226172,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1938],"tags":[2351,2424,2358],"group":[547],"support":[1936],"class_list":["post-226173","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-art-en","tag-museum-tv-en","tag-painter","group-portraits","support-peintre"],"yoast_head":"\nTribute to Andr\u00e9 Derain - 145th Birthday on June 10 - Museum TV<\/title>\n<meta name=\"description\" content=\"Tribute to Andr\u00e9 Derain, 145 years after his birth. 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