{"id":226157,"date":"2025-06-19T09:29:41","date_gmt":"2025-06-19T09:29:41","guid":{"rendered":"https:\/\/www.museumtv.art\/artnews\/articles\/"},"modified":"2025-06-26T12:46:54","modified_gmt":"2025-06-26T12:46:54","slug":"tribute-to-diego-velazquez-426-years-old-on-june-6","status":"publish","type":"post","link":"https:\/\/www.museumtv.art\/en\/artnews\/artistes\/tribute-to-diego-velazquez-426-years-old-on-june-6\/","title":{"rendered":"Tribute to Diego Vel\u00e1zquez – 426 Years Old on June 6"},"content":{"rendered":"\n

Diego <\/span>Rodr\u00edguez<\/span> de Silva y Vel\u00e1zquez <\/span>was<\/span> born<\/span> in 1599 in <\/span>Seville<\/span> into<\/span> a minor <\/span>nobility<\/span> family<\/span>. <\/span>His<\/span> talent <\/span>was<\/span> such<\/span> that<\/span> he<\/span> was<\/span> quickly<\/span> entrusted<\/span> to Francisco Herrera the Elder (1576-1654) <\/span>before<\/span> joining<\/span> the studio of Francisco Pacheco (1564-1644) for six <\/span>years<\/span>. <\/span>His<\/span> master, a <\/span>brilliant<\/span> intellectual<\/span>, <\/span>authored<\/span> the <\/span>treatise<\/span> The Art of Painting<\/a> and <\/span>introduced<\/span> his<\/span> student<\/span> to the <\/span>intellectual<\/span> circles<\/span> of the city of <\/span>Seville<\/span>. The city <\/span>was<\/span> very<\/span> prosperous<\/span> and <\/span>benefited<\/span> from<\/span> trade<\/span> with<\/span> the <\/span>Americas<\/span>.<\/span><\/span> <\/span><\/p>\n\n

The <\/span>Painter’s<\/span> Rise<\/span><\/span> <\/span><\/h2>\n\n

From 1617, Diego Vel\u00e1zquez took flight and joined the guild of painters of Seville. He married and started a family with Juana, his master’s daughter, before making his first trip to Madrid. There he met the Count-Duke of Olivares, Gaspar de Guzm\u00e1n (1587-1645), an intermediary who enabled him to become painter to the king in 1623. He had previously painted mainly still lifes and genre paintings. He also received ecclesiastical commissions in his youth and throughout his career. <\/p>\n

\n
\"Diego
Diego Vel\u00e1zquez, Kitchen Scene with Christ in the House of Martha and Mary, c. 1618, oil on canvas, 60 x 103.5 cm, London, National Gallery<\/a><\/figcaption><\/figure><\/div>\n

This work forms a kind of synthesis between religious painting, genre scene, and still life. The title refers to the religious theme from the Gospels of Saint Luke in the New Testament (10:38 to 10:42). This passage recounts the moment when Martha welcomes Jesus into her home. A kind of duality between the earthly and heavenly worlds is created with the painting within the painting, a highly prized setting in Dutch painting. The genre scene and still life also draw from the Protestant Reformation culture in Holland. <\/p>\n\n

The artist quickly found himself propelled into a career on a ladder. He became a chamber painter in 1628, the highest recognition. In 1629, he was offered a two-year trip to Italy by the crown under the influence of Rubens. In 1644, he became superintendent of royal works. This was followed by a second trip to Italy, this time for commercial purposes, from 1649 to 1651. Philip IV then appointed him <\/span>aposentador<\/span> de palacio, court marshal. He was granted the title of hidalgo (gentleman) and ennobled by Philip IV a year before dying in 1660 of exhaustion due to the trying preparations for the union between the Infanta Maria Theresa and the King of France, Louis XIV.<\/span><\/span> <\/span><\/p>\n

\n
\"Diego
Diego Vel\u00e1zquez, Portrait of the Infanta Maria Theresa, 1653\/1654, oil on canvas, 71.1 x 60.5 cm, Paris, Louvre Museum<\/a><\/figcaption><\/figure><\/div>\n

The Artist’s Development<\/span><\/span> <\/span><\/h2>\n\n

Although Andr\u00e9 F\u00e9libien (1619-1695) did not establish his hierarchy of genres until 1667, this classification was unofficially recognized in Europe. <\/p>\n\n

1-The Grand Genre (history and mythological painting) <\/p>\n\n

2-The Portrait <\/p>\n\n

3-The Genre Scene <\/p>\n\n

4-The Landscape <\/p>\n\n

5-The Still Life <\/p>\n\n

Thus, one of the first things that testifies to the painter’s fame is the types of commissions he received. Before 1623, religious iconographies, genre scenes, and still lifes were common. The entry into the court of King Philip IV of Spain focused his production on portraits and official representations. <\/p>\n

\n
\"Diego
Diego Vel\u00e1zquez, The Adoration of the Magi, 1619, oil on canvas, Madrid, Prado Museum <\/figcaption><\/figure><\/div>\n

From the 1630s until his second departure for Italy, Vel\u00e1zquez reached great artistic maturity. He produced mainly portraits and mythological and historical scenes. <\/p>\n

\n
\"Diego
Diego Vel\u00e1zquez, portrait of Innocent X, 1650, oil on canvas, 140 x 120 cm, Rome, Doria-Pamphilj Gallery <\/figcaption><\/figure><\/div>
\n
\"Diego
Diego Vel\u00e1zquez, Philip IV on Horseback, 1634\/1635, oil on canvas, 304 x 317 cm, Madrid, Prado Museum <\/figcaption><\/figure><\/div>
\n
\"Diego
Diego Vel\u00e1zquez, The Surrender of Breda or The Lances, 1634\/1635, oil on canvas, 307 x 367 cm, Madrid, Museo del Prado <\/figcaption><\/figure><\/div>\n

During the last ten years of his life, his duties as court marshal were extremely demanding, leaving him little time to paint. He still managed to complete a few works, two of which enjoyed continued success. <\/p>\n

\n
\"Diego
Diego Vel\u00e1zquez, Las Meninas<\/a>, 1656\/1657, oil on canvas, 318 x 276 cm, Madrid, Museo del Prado<\/figcaption><\/figure><\/div>
\n
\"Diego
Diego Vel\u00e1zquez, The Legend of Arachne or The Spinners, 1657\/1658, oil on canvas, 220 x 289 cm, Madrid, Museo del Prado <\/figcaption><\/figure><\/div>\n

Techniques and Styles<\/span><\/span> <\/span><\/h2>\n\n

Diego Vel\u00e1zquez learned the art of painting from Francisco Pacheco, a Mannerist<\/a> painter. This movement was characterized by the abandonment of anatomical rigor in favor of elongated figures, vivid colors, and the use of perspective.<\/p>\n

\n
\"Francisco
Francisco Pacheco, The Last Judgment, 1611\/1614, oil on canvas, 338 x 235 cm, Castres, Goya Museum<\/a><\/figcaption><\/figure><\/div>\n

The young painter thus created a kind of synthesis between his teachings and Caravaggio’s chiaroscuro. <\/p>\n

\n
\"Painting
Diego Vel\u00e1zquez, Old Woman Boiling Her Eggs, 1618, oil on canvas, 101 x 120 cm, Edinburgh, National Gallery of Scotland <\/figcaption><\/figure><\/div>\n

Furthermore, his first trip to Italy<\/a> allowed the painter to <\/span>acquire<\/span> a broad pictorial culture. The admiration of painters such as Michelangelo, Tintoretto, Raphael, Giorgione, and many others <\/span>somewhat modified<\/span> the painter’s palette and touch, and he even produced a View of the Garden of the Villa Medici that would inspire the Impressionists. \u00c9douard Manet described him <\/span>as: “<\/span>The greatest painter who ever lived.”<\/span><\/span> <\/span><\/p>\n

\n
\"Diego
Diego Vel\u00e1zquez, View of the Garden of the Villa Medici, Ariadne’s Pavilion, 1630, oil on canvas, 44 x 38 cm, Madrid, Prado Museum <\/figcaption><\/figure><\/div>
\n
\"Table
Alfred Sisley, The Boat During the Flood, Port-Marly, 1876, oil on canvas, 61 x 50 cm, Paris, Mus\u00e9e d’Orsay <\/figcaption><\/figure><\/div>\n

Vel\u00e1zquez is a prodigious and internationally renowned painter. He was undoubtedly one of the wealthiest painters of his generation. <\/p>\n\n

Find more information about the official portraitist of King Philip IV of Spain on <\/span>our<\/span> <\/span>video-on-demand platform<\/span><\/span><\/a>.<\/span><\/span> <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Diego Rodr\u00edguez de Silva y Vel\u00e1zquez was born in 1599 in Seville into a minor nobility family. His talent was such that he was quickly entrusted to Francisco Herrera the Elder (1576-1654) before joining the studio of Francisco Pacheco (1564-1644) for six years. His master, a brilliant intellectual, authored the treatise The Art of Painting […]<\/p>\n","protected":false},"author":104,"featured_media":226156,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1938],"tags":[2351,2424,2358,2567],"group":[547],"support":[1936],"class_list":["post-226157","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-art-en","tag-museum-tv-en","tag-painter","tag-velasquez-en","group-portraits","support-peintre"],"yoast_head":"\nTribute to Diego Vel\u00e1zquez - 426 Years Old on June 6 - Museum TV<\/title>\n<meta name=\"description\" content=\"Tribute to Diego Vel\u00e1zquez, born 426 years ago. 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