{"id":225825,"date":"2025-05-26T14:26:54","date_gmt":"2025-05-26T14:26:54","guid":{"rendered":"https:\/\/www.museumtv.art\/artnews\/articles\/"},"modified":"2025-05-26T14:26:54","modified_gmt":"2025-05-26T14:26:54","slug":"tribute-to-rosa-bonheur-126th-anniversary-of-her-death","status":"publish","type":"post","link":"https:\/\/www.museumtv.art\/en\/artnews\/artistes\/tribute-to-rosa-bonheur-126th-anniversary-of-her-death\/","title":{"rendered":"Tribute to Rosa Bonheur – 126th Anniversary of Her Death"},"content":{"rendered":"\n

Rosalie Bonheur <\/span>was<\/span> born<\/span> on March 16, 1822, in Bordeaux and <\/span>was<\/span> the first <\/span>woman<\/span> to <\/span>be<\/span> awarded<\/span> the <\/span>rank<\/span> of Knight of the <\/span>Legion<\/span> of Honor for an <\/span>artistic<\/span> achievement<\/span> by <\/span>Empress<\/span> Eugenie, <\/span>wife<\/span> of <\/span>Napoleon<\/span> III. <\/span>She<\/span> was<\/span> subsequently<\/span> awarded<\/span> the <\/span>title<\/span> of <\/span>Officer<\/span> of the <\/span>Legion<\/span> of Honor in 1894.<\/span><\/span> <\/span><\/em><\/p>\n\n

Daughter of Sophie Marquis (1779-1833), an accomplished musician, and Raimond Bonheur (1796-1849), Rosa Bonheur and her four siblings followed in their father’s footsteps. Thus, Rosa and her siblings chose to make animal painting their profession. They were trained by their father and developed at the Salons. Rosa, the eldest child of the family, encouraged her siblings after the deaths of both her parents in 1833 and 1849. Isidore, the third child, devoted himself to animal sculpture. Rosa then decided to no longer exhibit animal sculptures at the Salon from 1850 onward, allowing her brother to exhibit. <\/p>\n

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Rosa Bonheur, <\/span>Rabbits<\/span><\/i>, 1840, oil on canvas, 65 x 54 cm, Museum of Fine Arts, Bordeaux<\/span> <\/span><\/figcaption><\/figure><\/div>\n

Indeed, her training with her father was fruitful. At the age of fourteen, Rosa <\/span>acquired<\/span> her copyist’s card from the Louvre. As early as 1844, she had the opportunity to <\/span>exhibit<\/span> one of her works at the Salon: Rabbits.<\/span><\/span> <\/span><\/p>\n\n

The artist’s extraordinary personality was <\/span>evident<\/span> throughout her life. In 1837, Rosa Bonheur<\/a> met Nathalie Micas (1824-1889). A romantic friendship developed between the two women. They decided to work and live together. She also obtained a “<\/span>transvestism<\/span> permit” from the police headquarters, authorizing her to wear trousers, which were more practical than dresses for her work. This was required by the ordinance of November 7, 1800.<\/span><\/span> <\/span><\/p>\n\n

The Realist painter traveled the countryside and visited slaughterhouses to obtain an almost scientific rendering of anatomy in her paintings. <\/p>\n\n

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Rosa Bonheur, Plowing in the Nivernais, 1849, oil on canvas, 260 x 133 cm, Paris, Mus\u00e9e d’Orsay <\/figcaption><\/figure>\n\n\n\n
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Rosa Bonheur, <\/span><\/span>Paris Horse Market,<\/span><\/span> 1852-1855, oil on canvas, 245 x 507 cm, Metropolitan Museum of Art<\/span><\/span> <\/span><\/figcaption><\/figure>\n<\/figure>\n\n

Around 1860, this painter earned a generous living thanks to numerous commissions and the support of dealers. <\/p>\n\n

\n

This enabled her to <\/span>acquire<\/span> the Ch\u00e2teau de By in Seine-et-Marne<\/a>, where she settled with Nathalie and her mother, Henriette Micas (1806-1875). The large estate allowed her to keep <\/span>a large number of<\/span> animals. She no longer had to travel with her tools to the Jardin des Plantes, for example.<\/span><\/span> <\/span><\/p>\n\n\n\n

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Rosa Bonheur’s studio at the Ch\u00e2teau de By, in Thomery <\/figcaption><\/figure>\n<\/div>\n\n
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\n

In the 1870s, Rosa even decided to take up painting wild animals. She became the owner of two lions, which she donated to the Jardin des Plantes, followed by a second pair, whose lifespan at By was very short. <\/p>\n\n\n\n

Rosa Bonheur, <\/span><\/span>El Cid, Lion’s Head<\/span><\/span>, 1879, Museo Nacional del Prado<\/span><\/span> <\/span><\/p>\n<\/div><\/div>\n\n

An Overview of Realism in Painting<\/span><\/span><\/h2>\n\n

Realism <\/span><\/a>seeks<\/span> to <\/span>represent<\/span> reality as faithfully as possible. This movement is <\/span>essentially opposed<\/span> to Neoclassicism. The latter draws its inspiration from Greco-Roman antiquity and attaches <\/span>great importance<\/span> to line and composition. Realism is more in line with the Barbizon School, for example. The difference between Realism and Naturalism<\/a> lies primarily in the approach. Realism is an artist-led initiative, while Naturalism is supported by the state. It serves a political purpose, <\/span>attempting<\/span> to stem the rural exodus. Naturalism regularly highlights the work and fatigue of peasants.<\/span><\/span> <\/span><\/p>\n

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Jules Bastien-Lepage, Hay, oil on canvas, 160 x 195 cm, 1877, Paris, Mus\u00e9e d\u2019Orsay <\/figcaption><\/figure><\/div>\n

Artists of the Realist movement frequently adopted Naturalism. <\/p>\n\n

Gustave Courbet<\/a> (1819-1877) is recognized as the leader of this pictorial movement. He created An After-Dinner at Ornans, a painting in which he disrupted the hierarchy of genres <\/span>established<\/span> in the 17th century by Andr\u00e9 <\/span>F\u00e9libien<\/span>. He depicted the genre scene as a historical scene: the figures depicted are named and the dimensions are particularly large.<\/span><\/span> <\/span><\/p>\n\n

\n
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Gustave Courbet, An After-Dinner at Ornans, oil on canvas, 195 x 257 cm, 1849, Lille, Museum of Fine Arts <\/figcaption><\/figure>\n\n\n\n
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Gustave Courbet, Rocky Landscape near Flagey, 1839-1877, oil on canvas, 160 x 85.5 cm, Paris, Mus\u00e9e d\u2019Orsay <\/figcaption><\/figure>\n<\/figure>\n\n

Realism restored the grandeur of landscape painting. This pictorial genre was the fourth of five in F\u00e9libien’s hierarchy. <\/p>\n\n

Rosa Bonheur, a realist artist, combines these two aspects of Realism: genre painting and landscape in her depictions of American Indians. <\/p>\n

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Rosa Bonheur, <\/span>The Rocky Bear and the Red Shirt<\/span><\/i>, 1890, oil on panel, Whitney Western Art Museum at the Buffalo Bill Center of the West. <\/span><\/figcaption><\/figure><\/div>\n

Meeting Buffalo Bill and the Native Americans<\/span><\/span> <\/span><\/h2>\n
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Rosa Bonheur, Col. William F. Cody (Buffalo Bill), 1889, oil on canvas, 38.7 x 46.9 cm, Buffalo Bill Center of the West <\/figcaption><\/figure><\/div>\n

Rosa Bonheur met Buffalo Bill (1846-1917) at the 1889 World’s Fair. This iconic figure in the conquest of the American West created and supervised the traveling Wild West Show between 1883 and 1913. The artist became friends with this figure and even allowed him to enter the circus grounds near Neuilly as she wished during one of his tour stops. As a thank you, she painted his portrait.<\/span><\/span> <\/span><\/p>\n\n

Tributes and Legacy<\/span><\/span> <\/span><\/h2>\n\n

Her partner, Nathalie Micas, died in 1889. Following this tragic event, she met her second partner, the American Anna <\/span>Klumpke<\/span> (1856-1942). While she was working on her painting “The Treading of Wheat in the Camargue,” Rosalie Bonheur died in 1899. Anna <\/span>Klumpke<\/span> became her sole legatee and ensured that her friend’s memory was respected. Rosa is buried alongside Nathalie Micas in P\u00e8re-Lachaise Cemetery.<\/span><\/span> <\/span><\/p>\n\n

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Rosa Bonheur, <\/span>The Treading of Wheat in the Camargue<\/span><\/i>, 1864-1899, oil on canvas, 313 x 651 cm, Bordeaux Museum of Fine Arts<\/span> <\/span> \n \n <\/span> <\/span><\/figcaption><\/figure>\n\n

Numerous tributes have been paid to the painter, who throughout her life championed women’s independence. For example, the merchant Ernest Gambart (1814-1902) presented the city of Fontainebleau with a memorial to Rosa Bonheur in 1901. Similarly, the cities of Paris, Thomery, and Fontainebleau have renamed streets in her name. Rosa Bonheur’s former home, the Ch\u00e2teau By, is now open to the public. The painter’s studio has survived unscathed. <\/p>\n\n

For more information on women artists, visit <\/span>our<\/span> <\/span>video-on-demand platform<\/span><\/span><\/a>.<\/span><\/span> <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Rosalie Bonheur was born on March 16, 1822, in Bordeaux and was the first woman to be awarded the rank of Knight of the Legion of Honor for an artistic achievement by Empress Eugenie, wife of Napoleon III. She was subsequently awarded the title of Officer of the Legion of Honor in 1894. Daughter of […]<\/p>\n","protected":false},"author":104,"featured_media":225814,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1938],"tags":[2424,2380,2557],"group":[],"support":[1936],"class_list":["post-225825","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-museum-tv-en","tag-museumtv-en","tag-realism","support-peintre"],"yoast_head":"\nTribute to Rosa Bonheur - 126th Anniversary of Her Death - Museum TV<\/title>\n<meta name=\"description\" content=\"Rosa Bonheur: the first woman to be awarded the Chevalier de la L\u00e9gion d'Honneur for an artistic achievement!\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.museumtv.art\/en\/artnews\/artistes\/tribute-to-rosa-bonheur-126th-anniversary-of-her-death\/\" \/>\n<meta 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