{"id":225741,"date":"2025-05-22T10:07:24","date_gmt":"2025-05-22T10:07:24","guid":{"rendered":"https:\/\/www.museumtv.art\/artnews\/articles\/portrait-of-matali-crasset\/"},"modified":"2025-05-22T10:08:52","modified_gmt":"2025-05-22T10:08:52","slug":"portrait-of-matali-crasset","status":"publish","type":"post","link":"https:\/\/www.museumtv.art\/en\/artnews\/artistes\/portrait-of-matali-crasset\/","title":{"rendered":"Portrait of matali crasset"},"content":{"rendered":"\n

Nathalie <\/span>Crasset<\/span> was<\/span> born<\/span> on July 28, 1965, in Ch\u00e2lons-en-Champagne, Marne. An <\/span>internationally<\/span> renowned<\/span> French designer, <\/span>she<\/span> began<\/span> her<\/span> training at the \u00c9cole Nationale Sup\u00e9rieure de Cr\u00e9ation Industrielle de Paris (ENSCI) in 1988. At the <\/span>same<\/span> time, <\/span>she<\/span> established<\/span> her<\/span> artistic<\/span> identity<\/span> by <\/span>becoming<\/span> matali<\/span> crasset<\/span>, a <\/span>name<\/span> without<\/span> capital <\/span>letters<\/span>, <\/span>reflecting<\/span> her<\/span> atypicality<\/span>. <\/span>She<\/span> then<\/span> continued<\/span> her<\/span> studies<\/span> at Denis <\/span>Santachiara’s<\/span> studio in Milan <\/span>before<\/span> joining<\/span> Philippe <\/span>Starck’s<\/span> studio in Paris for five <\/span>years<\/span>. Her <\/span>experience<\/span> in Milan <\/span>developed<\/span> her<\/span> interest<\/span> in <\/span>electronic<\/span> design. At Philippe Stack, <\/span>she<\/span> headed<\/span> the Thomson Multimedia design structure, Tim Thom.<\/span><\/span> <\/span><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

In 1998, accompanied by her husband, Francis Fichot, she <\/span>established<\/span> her own studio-house in Belleville and separated from Philippe Starck. matali c<\/span>rasset<\/span> is known for her taste for color and playful design. One of her most famous works is “<\/span>Permis<\/span> de <\/span>Construire<\/span><\/em>” (Building Permit) for <\/span>Domeau<\/span> et P\u00e9r\u00e8s, an exceptional furniture company.<\/span><\/span> <\/span><\/p>\n\n\n\n

\"rectangular
matali crasset, Building Permit Sofa, 2000, 72 x 180 x 70 cm, high-resilience foam padding, blue and white cotton upholstery, publisher: Domeau & P\u00e9r\u00e8s<\/span> <\/em><\/span><\/figcaption><\/figure>\n\n\n\n

This work illustrates the consideration of the anthropological value of objects. For matali c<\/a><\/span>rasset<\/span>, design is at once human, social, and ecological. Here, the modular sofa allows children to turn it into a veritable playground. The artist invites adults to express their instincts, rather than social conventions. Something children do naturally. She says, “I want to give them choice, to instill fluidity and flexibility.”<\/span><\/span> <\/span><\/p>\n\n\n\n

She identifies with the projects of Jean-Baptiste Godin, a 19th-century French industrialist, such as the <\/span><\/span>Familist\u00e8re<\/span><\/span><\/em>. The notion of community is familiar to matali c<\/span>rasset<\/span>. Her house-workshop in Belleville, a former printing house divided into apartments, is shared with ten other families.<\/span> <\/span><\/span> <\/span><\/p>\n\n\n\n

She sports a unique and androgynous look, which she readily explains. Her “bowl cut” is said to be ideal for “a better flow of ideas,” while her square glasses are said to demonstrate her intense curiosity. <\/p>\n\n\n\n

The French designer experiments with several types of creations: architecture, scenography, object design, furniture, and works for public spaces and developments. <\/p>\n\n\n\n

Artist’s Creations<\/span><\/span> <\/span><\/h2>\n\n\n\n

Le <\/span>Blobterre<\/span><\/span> by m<\/span>atali<\/span>, 2012, Centre Pompidou, Paris<\/span><\/span> <\/span><\/h3>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

A hybrid space of an artificial garden. Blobterre includes its own sounds and smells. To create this imaginary environment and bring it to life, the artist called upon his partners. The upholsterers Domeau & P\u00e9r\u00e8s, and Campeggi in Nodus, who made a knotted rug in Nepal. The flooring is furnished by Tarkett, Blach\u00e8re for the metal structures, and Firmenich for the scent, for example. <\/p>\n\n\n\n

PS <\/span>Wardrobe<\/span><\/span>, 2014, IKEA, Ikea PS capsule collection<\/span><\/span> <\/span><\/h3>\n\n\n\n
\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

To launch its Ikea PS 2014 capsule collection, the Swedish company commissioned several designers, including matali crasset, Tomas Alonso, David Wahl, and Margrethe Odgaard. <\/p>\n\n\n\n

\"\"<\/figure>
\n

matali crasset’s wire wardrobe was designed to showcase the owner’s personality in two ways: the openwork wardrobe reveals its contents, and it can be personalized or not. <\/p>\n\n\n\n

The object consists of a 40 cm top with handles made of stainless steel and rubber. It also includes a wardrobe with a rod, an adjustable shelf, and a fixed shelf. The latter are made of epoxy-coated steel. <\/p>\n<\/div><\/div>\n\n\n\n

Pierre Lapointe, <\/span><\/span>Amours, <\/span>D\u00e9ices<\/span> & Orgues<\/span><\/span>, 2017<\/span><\/span> <\/span><\/h3>\n\n\n
\n
\"\"<\/figure><\/div>\n\n\n

With students from UQAM Montr\u00e9al, Matali Crasset created the scenography for a show at the Maison symphonique during the FrancoFolies de Montr\u00e9al in June 2017. <\/p>\n\n\n\n

matali crasset and her unique universe have fascinated audiences for nearly 30 years. Focused on the human element, the artist has taught at the Head in Geneva since 2010 and given lectures around the world. <\/p>\n\n\n\n

For more information, watch the Museum TV<\/a> documentary “Influences, a History of Art in the Present – Matali <\/a><\/span>Crasset<\/span>, Playful and Political Design.”<\/span><\/span> <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Nathalie Crasset was born on July 28, 1965, in Ch\u00e2lons-en-Champagne, Marne. An internationally renowned French designer, she began her training at the \u00c9cole Nationale Sup\u00e9rieure de Cr\u00e9ation Industrielle de Paris (ENSCI) in 1988. At the same time, she established her artistic identity by becoming matali crasset, a name without capital letters, reflecting her atypicality. She […]<\/p>\n","protected":false},"author":104,"featured_media":225726,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1938],"tags":[],"group":[2485],"support":[12],"class_list":["post-225741","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","group-architecture-and-design","support-artiste"],"yoast_head":"\nPortrait of matali crasset - Museum TV<\/title>\n<meta name=\"description\" content=\"matali crasset, playful and political design. 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