{"id":224714,"date":"2025-05-14T13:33:36","date_gmt":"2025-05-14T13:33:36","guid":{"rendered":"https:\/\/www.museumtv.art\/artnews\/articles\/tribute-to-jean-dubuffet-1901-1985\/"},"modified":"2025-05-23T14:26:26","modified_gmt":"2025-05-23T14:26:26","slug":"tribute-to-jean-dubuffet-1901-1985","status":"publish","type":"post","link":"https:\/\/www.museumtv.art\/en\/artnews\/artistes\/tribute-to-jean-dubuffet-1901-1985\/","title":{"rendered":"Tribute to Jean Dubuffet (1901-1985)"},"content":{"rendered":"\n

The \u2018Asphyxiating Culture<\/em>\u2019 more than a principle, a plastic art<\/strong> <\/h2>\n\n\n\n

Jean Dubuffet, painter, sculptor and visual artist, was born on 31 July 1901 in Le Havre and died on 12 May 1985. To mark the occasion, Museum TV is paying tribute to the artist, with a special evening on the TV channel, and available on demand on the various replay platforms.<\/p>\n\n\n

\n
\"Portrait

Jean Dubuffet, New York, 1951-1952 (photo K. Bell-Reynal)<\/em><\/p><\/figcaption><\/figure><\/div>\n\n\n

In 1968, Jean Dubuffet published  The Asphyxiating Culture<\/em><\/a>. This work covers the thinking of the famous artist. Liberating art, an objective that led him towards \u2018art brut\u2019. In 1973, Pierre Dreyfus commissioned a monumental work covering 2000m2. The Salon d’\u00e9t\u00e9<\/em>, intended as a place for car factory workers to relax, became a source of conflict between the artist and the Renault management. This project introduced the artist’s late style. Imbued with his imaginary world, the Hourloupe and the COUCOU BAZAR<\/em>. <\/p>\n\n\n

\n
\"View

Jean Dubuffet, <\/span><\/span>Salon d’\u00e9t\u00e9, model<\/span><\/span>, 1974, <\/span>epoxy<\/span> painted<\/span> with<\/span> polyurethane<\/span>, 565 x 474 cm, P\u00e9rigny-sur-Yerres, Fondation Dubuffet<\/span><\/span> <\/span><\/em><\/p><\/figcaption><\/figure><\/div>\n\n\n

This very special atmosphere is the result of a process enhanced by his travels such as Algiers, Buenos Aires, Italy, New York… But also by the influence of his contemporaries such as Pierre Matisse, son of the renowned painter. <\/p>\n\n\n\n

Dubuffet moved towards an art of simplicity, a spontaneous creation. He coined the term \u2018art brut\u2019 in 1945. The main sources of this art were asylums, mediumistic art and the art of the marginalised and eccentric. These inspirations are rediscovered from an angle devoid of academic technical conventions. <\/p>\n\n\n\n

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“The old aspiration of thought to cover a very wide field, too wide, with a single glance fogs its view. A philosophy which took the side of fragmentary fields considered one after the other without concern for making them communicative, and which applied this technique stubbornly, would undoubtedly make some very fertile discoveries. If it were to take the side of incoherence, or at least of a coherence that is not so far-reaching, of a coherence with drawers, thought would probably see itself endowed with an astonishing renewal of its strengths.”<\/em> Jean Dubuffet<\/p>\n\n\n\n

The multiplication of techniques and mediums gives Dubuffet’s production all its complexity and its path towards a unique universe. The METRO<\/em> series in gouache on brightly coloured paper to his RADIOUS EARTHS<\/em> drawings in Indian ink on paper such as Radieux m\u00e9t\u00e9ore<\/em> from 1952. His interest in natural elements and botany is revealed in the use of butterfly wings for Le strabique<\/em> (1953). His taste for the monumental is illustrated by the Closerie Falbala<\/em>, which was listed as a Historical Monument in 1998. <\/p>\n\n\n\n

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<\/p>\n<\/blockquote>\n\n\n\n

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\"View
Dubuffet, Radieux m\u00e9t\u00e9ore, 1952, Indian ink on paper, 50 x 65 cm <\/figcaption><\/figure>\n\n\n\n
\"Gouache
Dubuffet, M\u00e9tro, gouache on paper, 37 x 30 cm, Paris, Centre Georges Pompidou <\/figcaption><\/figure>\n\n\n\n
\"Collage
Jean Dubuffet, Le strabique, 1953, butterfly wings, 25 x 18 cm <\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Jean Dubuffet in New York, The Group of Four Trees<\/strong> <\/h2>\n\n\n\n
\"Structure<\/figure>
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The visibility of these monumental sculptures in public spaces has contributed to the artist’s reputation. The theme of the tree is one of the most spectacular evocations of the parallel world of L’Hourloupe. The 1972 Group of Four Trees was the first commission by David Rockefeller, President of the Chase Manhattan Bank near Wall Street in New York. Dubuffet obtained the commission through Gordon Bunshaft, architect of the Chase Manhattan Bank headquarters. <\/p>\n<\/div><\/div>\n\n\n\n

As the title suggests, the work is made up of four trees whose trunks are evoked by verticality and whose foliage by horizontal elements. <\/p>\n\n\n\n

This monumental group in epoxy painted with polyurethane was built in the artist’s new workshops in P\u00e9rigny-sur-Yerres, based on a model dating from 1970-1971. The 12-metre-high group was inaugurated on October 24th of 1972. <\/p>\n\n\n\n

Ensuring respect for his work<\/strong> <\/h2>\n\n\n\n
\n

In the 1970s, Jean Dubuffet created his own foundation with the aim of concentrating a large part of his production in one place. The Dubuffet Foundation<\/a> is organised on two sites. One in P\u00e9rigny-sur-Yerres in the Val-de-Marne department and the other in the 6th arrondissement of Paris. <\/p>\n<\/div>

\"Vue<\/a><\/figure><\/div>\n\n\n\n

The marketing of art brut in the 1970s and 1980s enabled this movement to develop. Most of the growth took place in Western Europe and the United States. Artists such as the American Thornton sr. Dial and the Dutchman Willem van Genk follow in the artistic footsteps of Dubuffet, who died 40 years ago. <\/p>\n\n\n\n

The Mus\u00e9e du Niel,<\/a> a stopover between art and the sea in Hy\u00e8res, addresses the question of Dubuffet and his successors; Dubuffet and the Magicians, Singular Expressions <\/a>1945-2000<\/em>. The museum invites spectators from May 3 to November 2, 2025 for the occasion. The artists are honored, designated as “magicians” under the influence of Jean Dubuffet and his revolutionary art, Art Brut. <\/p>\n\n\n\n

On this occasion, Museum TV pays tribute to Jean Dubuffet and invites you to watch our documentary \u201cThe Closerie Falbala – In the eye of de Jean Dubuffet<\/a>\u201d and his entire body of work on our video-on-demand platform<\/a>.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

The \u2018Asphyxiating Culture\u2019 more than a principle, a plastic art  Jean Dubuffet, painter, sculptor and visual artist, was born on 31 July 1901 in Le Havre and died on 12 May 1985. To mark the occasion, Museum TV is paying tribute to the artist, with a special evening on the TV channel, and available on […]<\/p>\n","protected":false},"author":104,"featured_media":224691,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1938],"tags":[2548,2547,2551,2550,2424,2358,2549],"group":[547],"support":[12],"class_list":["post-224714","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-art-brut-en","tag-artist","tag-dubuffet-en","tag-foundation","tag-museum-tv-en","tag-painter","tag-sculptor","group-portraits","support-artiste"],"yoast_head":"\nTribute to Jean Dubuffet (1901-1985) - Museum TV<\/title>\n<meta name=\"description\" content=\"Jean Dubuffet passed away 40 years ago, and Museum TV pays tribute to him with a look back at the artistic career of the father of Art Brut.\" \/>\n<meta name=\"robots\" content=\"index, follow, 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